For a short time after a snowfall, glaciers are like blank white
canvases. But it’s not long before the snowy surfaces are painted over
with coats of dust, soot, ash, pollen, salt, sand, rocks, and other
debris.
This natural painting is an apt metaphor for the work of Kimberly Casey,
a NASA glaciologist who once considered becoming an artist. After high
school, she had scholarships for both science and art; she chose the
former, but her artistic side has not disappeared. She continues to
paint, draw, and take photographs, and those artistic skills and
interests overlap with the ones she uses to explore new ground as a
scientist. Casey is fascinated by the way the human eye perceives
reality, and also intrigued by the deeper, hidden layers of meaning
embedded in natural environments.
Casey is one of the first scientists to use satellite data to
distinguish between the different types of debris—ranging from
fine-grained aerosols,
to bits of volcanic ash, to the large rocks and boulders—that end up on
glaciers. After numerous expeditions to far-flung mountains, and years
combing through satellite data at NASA’s Goddard Space Flight Center and
the University of Oslo, she has something to show for it. Casey has
produced satellite-derived maps of debris at key glaciers around the
world. Her maps not only discriminate between dirty and clean ice; they
describe the composition and source of the particulates and debris.